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Obras Maestras - Masterpieces © Antonio Pérez Río

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What Readers Say…

“A very interesting work that many people will see as a mirror of their own behavior […] a book that we should have in our library.”

Rafael Roa

“Superb project, published exquisitely…”

Juan Sande

“I already have my book and I absolutely recommend it! The content is delicious and the most delicate edition I’ve seen in a long time!”

Lola Mayo

“Antonio Perez Rio’s Masterpieces is the “non plus ultra” about the use of mobile in museums. With a relevant reflection, with great sense of humor and very well designed.”

Carlos Spottorno

“I did not have such a complete experience since the disappearance of the edition of Playboy on paper, in the graphic, and the reading of Galatea 2.0 by Richard Powers, in the textual.”

Sebas Térraga
Obras Maestras - Masterpieces © Antonio Perez Rio
Obras Maestras - Masterpieces © Antonio Perez Rio
Obras Maestras - Masterpieces © Antonio Perez Rio
Obras Maestras - Masterpieces © Antonio Perez Rio
Obras Maestras Antonio Perez Rio
Obras Maestras - Masterpieces © Antonio Perez Rio

Synopsis

The Louvre Museum fascinates and terrifies me in equal parts. Since 2014, I have spent thirty-seven days inside the museum, with my camera and a notebook, trying to reflect on the real experience of visitors to one of the most visited art spaces in the world. Paintings and sculptures that have survived several centuries face people who visit the museum for once in their lives and refuse to look directly at them. Contemplation has given way to accumulation, an accumulation conducted by means of all sorts of digital devices, veritable cyclops that pound through the museum hallways stockpiling everything they see in their bottomless memory, generating a new way of staying and being in the world, a transformation of the art experience that points towards a profound modification of human nature. The result of these four years of work and more than 500 kilometers walked on the Louvre galleries is a book entitled Masterpieces: an essay on the remains of a world devoured by its images.

 

THE AUTHOR

Antonio Pérez Río (Madrid, 1972) has a degree in Law and a diploma in Social Education. After working for more than 10 years as an educator and improving his skills for writing and photography, he founded LENS School of Visual Arts, the school he has been directing ever since.
His work Louvre - Art Guide for Cyborgs was shortlisted for the Kassel Fotobookfestival Dummy Award. Selected in Discoveries PhotoEspaña 2016 and in the 1st Meeting of Artists of Castilla y León with the same project, which was exhibited for the first time at the Albert Hall Museum in Jaipur (India, 2017), within the framework of the Jaipur Photo festival.
Finalist of the 20 Fotopres La Caixa Grant for his series Mapping Kigali (2014). His photographic project The Inevitable was published in OjodePez and British Journal of Photography and was the subject of an individual exhibition in 2015 at CEART Tomás y Valiente (Fuenlabrada).

 

Contact

+34687947261

FEATURES

Spanish-English edition. Hardcover. Dutch binding. 120 pages. 65 photographs. 175x243 mm

  • Published by LENS Books
  • Photography and text by Antonio Pérez Río
  • Design: underbau
  • Translated by Juana Adcock y Sophie Hugues
  • Preipress: Eduardo Nave
  • Printing: Artes Gráficas Palermo
  • ISBN: 978-84-09-02911-2

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